June is in full swing and thousands of us are still glowing after a stupendous Memorial Day weekend in Detroit. The sounds and atmospheres created at the various clubs and venues around the city continue to inspire and delight music lovers from all around the world. I heard so many amazing records; there were beloved classics, new heat, and tons of obscure beauties time would have forgotten if not for the amazing curation and selection from some of Detroit’s best DJs. Indeed Detroit has not (and hopefully never will) change.
In coming back and flipping through my newest finds and purchases I initially was searching for a new, fresh off the press record to focus on after an entire month of Detroit related material. But as I was flipping through, I stumbled across a 12” that has two of my favorite tracks ever put out by a little, old Detroit label by the name of Moods & Grooves. This label is another staple of the Motor City scene, responsible for almost perfectly consistent releases that span from deep and minimal to soulful and energetic. A simple two track release issued in a plain white sleeve, this record doesn’t exactly grab your attention up front, but the work from Andres and Mr. G give it a status that I would consider imperative for any house music lover’s collection.
The A-side of Moods & Grooves Classics V1 belongs to none other than Detroit’s house sample master, Andres. Everything about “Out In The Open” is expertly crafted with his unmatched subtle style. Straight from the gate, the kick drum is on a completely swung and broken pattern while the crispy stiff snare cuts on a perfect 4/4 pattern. Coupled triplet hi-hats and delicate ride taps gives the entire track a rolling feeling that is incredibly friendly for the dance floor, yet laid back as it slithers through the speakers. It wouldn’t be an Andres track though without the perfect sample treatment. A hearty ballad with a female vocalist – sped up massively – was recruited for use here, though I’m not sure where the sample comes from originally. The only thing that can be said for Andres’ artistry is that this man truly understands how to filter sound, when to soften it with reverb and slip it into a gorgeous quilt of sonic presence. Every small detail ends up being immaculate in the final mix – each noise complimenting its neighbor. This is one of those tracks that you can close your eyes while flowing through its essence and open them six minutes later without being sure whether a second or an hour of time has passed. This track is ready to go for any of those early party starting nights, or tea on the balcony Sunday morning.
On the other side of the slab, vibes totally change up for a more direct hit, designed to keep the party going while it’s at the apex of sweatiness. “The Struggle Of My People (Mr. G’s There’s Hope Mix)” begins with high energy on a full drum break filtered with delicious resonance and looped every four bars. A single transposed string sample descends over and over again while the drums begin to gain eighth note hi-hats and sixteenth note shakers. This is repetition done in the most infectious way. Whereas everything on the A-side fit perfectly around one another, each element on Mr. G’s tune fit perfectly on one another. The cutoff on the filter for the strings opens at times creating this feeling of a wave of sound washing around the dance floor. All the drums pull out of the mix at two separate times just to let a single synth and the strings coalesce around a spoken word sample from Maya Angelou’s poem, “And Still I Rise”. I have never seen this track not light a dance floor on fire. Again we have here a tune that is expertly made and so delightfully warm, the aural result is magnificent if played on any halfway decent sound system.
Although these tracks are so heavily played (my copy has gotten 100 spins, at least) they personify the idea of well-grounded, timeless house music. Some might say they are too safe, or even perhaps cliché, but hearing “Out In The Open” played by Andres himself over the excellent Void soundsystem at Marble Bar during the Sampled Detroit party over the Memorial Day weekend reminded me of how spectacular this record is. It was only fitting to write about it after that truly infinite moment.
Because this record is a 2013 press of two widely sought after early 2000s tracks, I would consider it a great deal. The 12” is trading on Discogs for about $13 stateside. It’s one record I personally could not live without. The two tracks have such wildly different personalities but still resolve themselves to be near perfect examples of all the things we love about house music. The unrelenting nature of the drums and structure truly mirror the undying love and support that true fans of house music display, and to which the massive turnout in Detroit for Movement is a testament to. And if there’s one thing I was reassured of in Detroit, it’s the same thing that is etched into the runout groove on MG-046: “Technology may move forwards, but vinyl will never die…”
Wax Runoff is a weekly feature that will showcase new finds and crate favorites. Nick States, of Boston, bought his first vinyl record in 2010 and has been hooked ever since. The record shop tends to be his first stop in an any city he visits.