Similar to the interlaced fabric that the title encourages, MESH is a new queer party contributing to the creative network of Pittsburgh’s dance community. Deeply inspired by Hot Mass at home and other queer parties abroad, Chad Beisner and Michael Fischer established their event to provide another safe place for music and freedom of expression.
They met during the very beginning of their college years at film school. Fischer says, “We met in freshman orientation at Point Park University and I skipped out to go out to a club and dance and came back the next morning covered in glitter and a total mess, so he walked up to me and the rest is history.”
As Pittsburgh natives they both share a passion for music and an appreciation for places that encourage creativity. Fischer says he has “always had a deep love for music, dancing, and positive creative spaces in general! I grew up listening to all different types of music from disco to punk and my love for dance music derived from that.”
Beisner, who also DJs as ChadKid, started exploring dance music in high school. “I eventually bought a controller for my laptop and started DJing at my friends’ high school parties. At the time I wasn’t really exposed to techno music at all and was playing R&B edits and disco. When I first started to go out when I was in college, Hot Mass was one of the first places Micheal ever dragged me to. That place really sparked my interest in techno and more underground electronic music. Without them I don’t know what I even be doing right now.”
Pittsburgh’s local dance scene has been growing significantly over the past several years. Although ripe with events at Hot Mass, they still have a small scene comparatively to other cities. Too many promoters in these environments can cause a competitive atmosphere and a dilution of quality, but MESH is on more of a symbiotic mission.
“Our city as a whole has been growing like crazy lately. And after being in our amazing scene and community of queers and music heads we have here in Pittsburgh, I’ve been able to see it grow as well over the past couple years. Michael and I have been wanting to start our own party for a while now, and we’ve done a couple of smaller things in the past that went well,” Besiner says. “But now the city is at a point where we have room for more than one queer techno party without it seeming like competition, so we figured now would be the perfect time to step in. It’s been great to be able to book and showcase artists that I love and give them a space to show off their talents to the rest of this amazing city.”
Fischer adds that the creation of MESH is to provide another safe place for queer freedom and visibility. With Hot Mass and some local bars there are certainly spaces already established, he says, “but there can never be enough.”
It’s also important to note that their party differs from Hot Mass in many ways. MESH is not an after hours party, which has a prominent impact on the overall atmosphere. Besiner explains, “I think there’s a lot that’s fundamentally different about our party from Mass for sure. And not that Mass/Honcho is doing anything wrong, quite the opposite, but we just wanted to create a different kind of queer party. Our parties aren’t all nighters and there’s no spaces for sex. Not that those are bad things but they can definitely create a different kind of dance floor vibe at a party. After traveling some last summer and going to parties like In Training in Cleveland and Jarvi’s Acid Daddy parties in Chicago, I was inspired to create a party with a similar vibe to those.”
Liberation through dress, dance and sound that can be found at these parties and within Club Pittsburgh is also welcomed for those who attend MESH. “Hot Mass is like a second home for me, I’m so grateful that I can be part of this amazing community and be a part of amazing events. MESH is very much inspired by the community Hot Mass has created. Hot Mass is a space where anyone can be who they are,” Fischer says. “Trust me I’ve worn some crazy shit there and all I got was love. MESH is another one of those spaces where we want everyone to express their true selves and showcase artistry of all queer people no matter where they came from or where they are going. Like I said before, there can never be too many queer spaces.”
Often adorned in mesh fabric, Beisner and Fischer developed a signature look. They decided to title their party after their favorite breathable dancing material, only to find the poetic parallels revealed as the event transpired. “As we thought about it more the better and better it worked. Mesh is breathable and unisex fabric and we like to think of our party as breathable and unisex too. Comfortable and accessible to everyone from all areas of the queer spectrum,” Beisner says.
Queer parties play such an important role in the music scene on a global level. These parties collectively work to not only shape the scene at large but also have a major impact for local communities by providing a space of acceptance where there is freedom to just be yourself.
“I think queer focus and visibility is important in any scene. Often times trans, non-binary, and just queer people in general are pushed out of scenes which sucks because there are so many amazing artists that can’t showcase their work. One of the main goals of MESH is to showcase these amazing artists.” – MICHAEL FISCHER
Beisner adds, “Queers throw the best parties! I think all the queer people I know in our music scene are doing the most interesting things. And a good queer party will draw in people who might not be too into the music and turn them into someone obsessing over it. I know several people that Honcho has done that for, including myself. I’m sure all these other amazing parties have done the same for many others.”
MESH launched on April 28 at Cattivo, a bar and venue in Lawrenceville. Beisner provided opening duties prior to headliner Shane Christian, who DJs as Kiernan Laveaux. Not only is she an advocate for queer and trans rights, and co-creator of Cleveland’s In Training parties, but she is a growing name in the techno community, especially after her performance during this year’s Club Toilet and Industry Brunch parties in Detroit.
They both share responsibilities for the event. Beisner focuses on booking and wrangling the music and lighting equipment while Fischer handles budgeting, venue and space decoration. When the night of the event arrives their friends collaborate to lend helping hands. “It does overlap and we work together to find great spaces and artists. We are also lucky enough to have amazing friends that jump at the opportunity to help set up, work the door, and much more. It would be impossible without them,” Fischer says.
Barring the space being just a little too big, the evening was a success. Fischer says, “Our event at Cattivo was great! The turnout was lovely. The only downside was that the space was huge! It’s hard to fill a room that big. The staff at Cattivo was very accommodating and great! They welcomed us techno weirdos with open arms. Shane’s set was amazing! She is such a talented DJ and it was such a honor to have her play our first party!” Beisner agrees that their first event went smoothly and free of any problems. Venue hunting is tough in Pittsburgh, especially when looking for an underground spot that is also the perfect energy for a queer friendly environment. Fischer continues, “Finding a space is difficult no matter where you are, I find. Pittsburgh has very strict liquor laws and that can be a bit of a challenge especially with after hours parties. For now, having a non-after hours party is great. People are often intimidated by after hours so while we build a following, this is perfect. We would love to find a space to settle in monthly but for now we are still on the search!”
“We want to build a very strong sense of community and a good vibe of queer friends dressing up and having a good drunken time on the dance floor together to music they love. That’s what we are hoping to bring to Pittsburgh with this party.” – CHAD BEISNER
Beisner agrees on the difficulty found while scouting locations. “It has definitely been the hardest part of organizing this party. All the existing gay/queer spaces are not fit for any kind of party like this, and some of the spaces that are aren’t necessarily the safest places for queer people … We aren’t opposed to staying in one place, but definitely are always on the lookout for new and interesting places. We wanna keep it fresh and expose people to new spaces in the city as well. Also we really wanna do a poolside day party, so if anyone has any leads on that please contact us,” he says with a laugh.
Finding The Glitter Box Theater for their next installation of MESH is a dream come true space, they say. Hailing from Chicago on June 30 will be Jarvi, and opening will be a live set from local duo A&L. Beisner says, “This time the space is gonna be perfect I think. Glitterbox is this multi-use queer art space that just opened recently, it’s the perfect size for us and it will be great to have it in an actual queer owned space instead of a bar. We are bringing in Mike Masai’s amazing sound system that is gonna fill this space perfectly. And on top of everything this space is BYOB so it will be easy and cheap for everyone to get drunk and get dancing.”
Jarvi is a non-binary artist prominently known in Chicago’s underground queer house and techno scene. Among the Naughty Bad Fun Collective crew they can be found putting on parties at Smartbar for Planet Chicago, and also on their own endeavor hosting Acid Daddy’s Haus of Diesel at Berlin Nightclub. Opening the evening will be Pittsburgh’s A&L, a live collaborative performance of raw techno from Alexis Icon and Andre.
“We are so excited for Jarvi! The Glitterbox Theater is more of an art space while Cattivo was a bar. The set-up of Glitterbox is a little more our style and it’s BYOB which is always great,” Fischer adds. “As usual people can expect dancing, techno and lots of mesh.”
Eventually, the last track will play and the lights will come up and after everyone has gone home, Beisner and Fischer will be planning another event. Although anyone who throws parties does so for their own unique drive, there is always a common reason to do so: community.
Fischer says he throws parties because it allows him to “see my friends and community come together and just have an amazing time is enough cause to do it. Seeing people dance and show off their music, fashion, art, makeup, etc. is so amazing to me. I really just love to have a good time!”
Beisner adds, “Ultimately I just wanna throw a party where everyone can have a good time, feel safe, get exposed to some new music, and simultaneously create a space where my favorite DJs can play in my city. I wanted to expand on our already amazing scene here and create a place to dance that is welcoming to everyone. To look out at the crowd during a party and seeing everyone have a good time and dancing is the reason I do it. Putting an event together is more stressful than you imagine before you do it, but the end result is always worth it. We will also be donating proceeds to different organizations as often as we can. We donated all our proceeds from our first party to Planned Parenthood of Western PA. It’s nice to be able to make this party give back to the community.”
Keep a close eye on MESH as they continue to develop and grow in Pittsburgh.
CLEVELAND – IN TRAINING is pleased to announce that we are partnering with our good friends HONCHO to bring you:
“A Leather-Encouraged Evening Together”
10p – 6a / $15 / Location TBA / Must RSVP to attend
An all-night semi-private party for friends and revelers to dance, unwind and release!
For years, Pittsburgh’s premiere LGBT dance night HONCHO has staked their reputation on the unmatched caliber of their flesh-soaked, sweat-drenched undergrounds at infamous bathhouse & dancefloor HOT MASS. We have spent a long time courting them for a playdate in Cleveland and are thrilled that they’ll be gracing (and greasing) our presence. To make this event extra-special, we will be throwing it in a space that allows us to party until the cold shame of morning!
Featuring music from 10 pm to 6 am from HONCHO & IN TRAINING DJs:
Father Of Two
In order to keep our gathering intimate and safe from prying eyes, we encourage all the attendees to email us to RSVP at:
YOU MUST INCLUDE YOUR NAME to be on the list! If you would prefer to give a name other than the one on a form of Identification, please let us know and we will accommodate your request. Attendees on the RSVP list will receive the address via reply.
Our venue is a large, modern space near the city center, easily-accessible by rideshare. There will be ample well-lit parking and venue security attuned to the needs of our attendees.
This event will cost $15, a portion of which will be donated to The Sisters Of Perpetual Indulgence, a long-running national LGBTQ organization that uses drag performances to fundraise for HIV/AIDS programs.
Feel free to email or message us with any questions / comments at ITxHONCHO@gmail.com
Let us sweat together!
PITTSBURGH – Hot Mass & Cold Cuts pres. A Night With Beautiful Swimmers. The duo will play a seven hour set, all night long.
<< 21+ w/ ID // $15 // password announced day of >>
Sweaty bodies, a wall of lights and a sound system that pulls you in and won’t let go. If you have experienced Hot Mass, you understand. Aaron Clark, co-founder of the Pittsburgh party, is in charge of co-curating resident nights Honcho and Humanaut at the after hours spot.
While growing up in Ohio, Clark wasn’t very active in the music scene. Mostly a bedroom DJ he says “I was still coming out of the closet and trying to pull away from my church. Once I turned 18 I started to hit the parties happening at Red Zone in Columbus and Moda in Cleveland.” Shortly thereafter he moved to Pittsburgh for university, unfortunately right when the city’s rave scene was in a lull.
When it comes to Clark’s background as a DJ, he says “I sort of tripped into it.” He would hear electronic tracks in the background of commercials and scour the internet to identify them, which would turn out to be “stupid stuff like Chemical Brothers. This was Napster days, so I’d download that stuff, but then realize that people made remixes of these things, which led me to more underground producers. It was kind of a rabbit hole situation,” he says. “I know a lot of people don’t believe in folks coming in from the commercial side of dance and landing in a good place musically, but it happens.” In high school he was introduced to his friend’s boyfriend, Rob, who had a full DJ setup and PA. This piqued Clark’s interest and pulled him to the performance side of electronic music which he says “really helped me start separating quality from bullshit.”
Before Hot Mass became one of the most prominent parties for today’s scene Clark spent about eight years throwing large scale events. While seeking a place to throw small after parties for their main events they stumbled upon Club Pittsburgh, a private men’s bath house located in the city’s historic Strip District. The space is relatively small, with small dark spaces for private encounters.
He reminisced about the beginning stages of their parties in the bath house. “When we first checked it out, we weren’t even sure how to use it. The space was super weird, not laid out in any sensical way for dancing, lots of hallways and cruisey rooms (as part of the bath house) but we could go late. So we took it, and had Kirk Degiorgio play a second set after his first one. It went off! I think we pulled the plug on a full dance floor that morning around 8 a.m.? Up to that point we would struggle to hold a crowd until 4 a.m. max. We were all really blown away by the crazy energy that room had, so we kept going with it.”
John McMarlin, manager of Club Pittsburgh, proposed that the after party events become a weekly which ultimately brought Hot Mass to fruition. Clark says, “That sounded insane to us, as everyone knows how impossible it is to keep a weekly party going. It’s torture. The idea was that maybe we could pull it off if we had four separate crews as part of the larger collective, and we all took a different week so we didn’t burn out.”
Hot Mass as a whole is comprised by four parts: Honcho, Humanaut, Detour and Cold Cuts. Each Saturday of the month is accounted for. Honcho is held the first Saturday followed by Humanaut on the second. The city’s record label collective Detour showcases the third Saturday and new to the roster is Cold Cuts, an event which curates an affinity for disco and hoagies on week four. I inquired how each of these facets play a significant role not only within their space but also to the scene at large. “This is a tough one to answer. I think all four crews touch different sounds of dance. Humanaut heads straight to techno, Honcho loops in the gays and does all genres, Detour is heavy on live sets as they’re so production-minded due to their label, and Cold Cuts is just a great fucking time. It’s positivity music,” Clark says. “You kinda touch all corners, and funnel everyone into one club together, making it easier for people to figure out what they like and dig deeper. Ideally, we are always giving up-and-comers a shot on the decks as well. It’s something I personally want to push further in 2017.”
The four crews work together to maintain the integrity of the space and progress the continuity of energy and quality talent.
“We’d all vote on the larger rules of the club, keep the door cover consistent, and operate under a unified brand – Hot Mass,” he continues. “We wanted the general public in Pittsburgh to think ‘it’s always a good time there’ and not get hung up on who was promoting the party. Amazingly enough, it worked. And over the past four years we’ve just tried to improve the place one piece at a time as we got the money, knocking out walls, moving the dance floor, new sound.”
But what exactly is it that makes this Pennsylvania party so special? The size of the space is small bringing an inherent intimacy to any party. Sexuality here is open and free and there is an undeniable consistent energy when you make it until 7 a.m. and those lights turn on. “It still feels crazy that we have this beautiful thing. I think being attached to the bath house (Club Pittsburgh) is incredibly important. Right out of the gate, it’s a gay space. That helps with crowd quality immensely and is really an inseparable part of it all. Once you have that base layer, you add the layers of good friends, techno heads, and out-of-towners coming through each week,” he says.
Honcho was established in 2012 while Humanaut was founded in 2005 and run by the collective efforts of Clark, Paul Fleetwood, Paul “Relative Q” Zyla, Benjamin Kessler and Tony Fairchild. Through both Honcho and Humanaut the floor of Hot Mass has seen talent from the likes of Bill Converse, Derek Plaslaiko, Shawn Rudiman, The Black Madonna, Claude Young, Ectomorph, Bicep, DJ Minx, Sassmouth, and so many more. Last summer Clark assisted hosting a Honcho Summer Campout in the West Virginia woods and sometimes you can catch a set by Honcho, which is comprised (give or take) by Clark, George d’Adhemar, and Clark Price.
“[Hot Mass] is one of the only places in town where different peoples bubbles crash into each other. Pittsburgh is not known for being a diverse place, which can feel suffocating at times. Hot Mass is a bit of an antidote to that.” – AARON CLARK
The dance floor at Hot Mass is one of which that allows freedom, tests your limits, breaks borders and pushes boundaries. There is no pretension, and with Club Pittsburgh’s environment these parties bring everyone together by serving to both the gay and straight community. Clark believes that these attributes of a party are “important because these moments don’t happen enough. As we’ve all seen, everyone is content to live in their own personal bubble these days. Gay people need to party with straight people, and vice versa.” He explains that this outcome won’t happen at a typical gay club which serves mostly as a place to get drunk. “I think the important part here is that there’s something for everyone to bond over other than a bar – the music.”
When he’s not bringing in talent or throwing down sets himself, Clark can be found working as a Cultural Engineer at the Ace Hotel in downtown Pittsburgh. Through this position he wears many hats working with community relationships, marketing, event programming and social media. “I was attracted to it because I had respected the Ace brand for years, and I wanted to force myself outside of my comfort zone of just throwing techno parties.” Through this avenue they are collaborating with The Andy Warhol Museum, hosting independent markets and panel discussions, as well as pop-up dinners. Although a small component of what he does at Ace, Clark incorporates small music events at the hotel, with an occasional Hot Mass day party outside.
No matter what Clark does, both day and night, his love and drive for music will run deep and with passion. “Music is one of the only things that can overtake my emotions completely. I remember one time at a Bunker show in NYC, Magic Mountain High was playing live. My partner and I had just gotten to the club, completely sober. We’re standing on the dance floor and we just started crying. The music was so beautiful, it was involuntary. That’s really cool. There’s a lot of beautiful stuff in the world, but music consistently does crazy things like this, over and over again.”
Catch Aaron Clark make his Western New York debut on Saturday for the two year anniversary party of Rochester’s Signal > Noise.
Born and raised in Michigan, the youthful Chuck Hampton (otherwise known as Gay Marvine) could be found turning the dial to explore all that Detroit radio had to offer. Driving his family crazy by constantly tuning into disco stations, he fell in love. From that point forward he used his finely tuned ear and spent his creative energy to share that love with the rest of the world.
What is it about that disco sound? “The bass! The beat! I loved the repetition of the groove. These things all spoke to me, and I couldn’t understand how some people didn’t get it,” he says.
The genre, which was generationally pivotal, had some historically dark times. During an infamous baseball game between the Chicago White Sox and the Detroit Tigers on July 12, 1979, disco arguably became a scapegoat for sexual and racial discrimination. Disco Demolition Night was meant to be a promotional event put on by the Chicago team at Comiskey Park. During the rally attendees brought a record to the game and during the doubleheaders intermission the vinyl was destroyed by an explosion on the field. There were 50,000 people in attendance that day and a riot ensued. More than 5,000 people took to the field to set fire to the records.
Yet, disco prevailed and remained a foundation for music thereon in. Hampton reminisced about his early clubbing days which took place shortly after that time. “Detroit area gay clubs played such great music in the ’80s,” he says. During which he said he would hear alternative sounds such as Ministry, Siouxsie and the Banshees, in addition to popular hits and Hi-NRG tracks. “Then house and techno happened. It changed everything! We had the greats – Ken Collier, Derrick May, D-Wynn, Richie Hawtin – and so many more. They took it all to a higher level. All of this rich variety influenced me as a DJ and how I hear music.”
“For me, editing is all about mining for the funk, and trimming the fat off. Some things that were in the old disco records were superfluous, and distracted from the wicked groove that was happening underneath. Also, I was heavily influenced by disco house records of the ’90s. I love how repetitive they were, but sometimes I wanted just a little more of the original in there and a little less of what was added. I’d say the most evocative of my edits is ‘Anxiety Into Ecstasy’.” — GAY MARVINE
According to the label, “Bath House Etiquette is a manual on how to handle Gay Discos. Everyone needs a little inside information. Follow the stairs to the basement, wait on your knees by the sling and wait for Mr. Marvine (to you) for further instructions.”
There is a raw and visceral energy that takes place in a bathhouse that can definitely emanate through Hampton’s tracks and the sets he puts out. Hampton says, “I think bathhouses represent hedonism. Unbridled sexuality, sensuality.” Beneath a bathhouse in downtown Pittsburgh, Penn. you will find after-hours venue Hot Mass. Aaron Clark booked Hampton as the very first guest for Honcho, a monthly gay party held at that venue, in February 2013.
According to Clark, Hampton is now deemed an unofficial Honcho resident. “We’ve done a lot of parties with him already and plan to do a lot more this year,” he says. “The Honcho sound is pretty diverse, it can disco just as well as it can whip the club into acid house and techno. Chuck really nails all of those sounds. He’s the guest DJ that always feels the most at home with us.”
Beyond the bathhouse and deeper into the music, Gay Marvine helps provide a place that is unlike any other. What makes his set special is “the energy and the celebratory vibe of the music. Even if it’s tougher sounds, it’s always happy. It sounds like family, and the club feels like family,” Clark says.
This environment is a beautiful place that prevails through dark times and embraces positivity. Disco, house and techno inherently inspire energy, liberation and fearless expression. For Hampton, “[music] heals my soul, it brings me joy, it gives me solace, it soothes me, it makes me want to fuck, it makes me dance!”
The cab makes a left down a road toward a dead end. It’s the East Side of Buffalo, N.Y. and there’s no one around. “Where is it? Do you hear anything? Maybe just up there a little bit. Oh, that’s definitely it.” Feet scamper down the road toward a warehouse where a few other souls are found milling outside the building smoking cigarettes. There’s faint light spilling out. Someone, open the door.
Although Buffalo is a Rust Belt city and a primed breeding ground for artful events, it wasn’t until Strange Allure came to fruition just last year that there has been a boost of fueled excitement to the city’s typical party scene.
A man that calls himself Alan Frank was living in Cleveland, Ohio for almost six years before moving to Buffalo about two years ago. He was born in a town south of Cedar Point, right between Cleveland and Toledo, in the middle of nowhere.
When he was just a teenager, Frank was booking and playing punk and hardcore shows. While he was in high school he would book touring bands at a clubhouse by the local reservoir. Grind and extreme music exposed him to seeing the American underground music scene. But overtime, he says, the scene became oversaturated with bands and the payoff wasn’t ideal.
“I had always flirted with electronic music and techno, but all my friends were punk and we all liked hip-hop and dub.” Techno was his guilty pleasure. But Frank grew up with knowledge about turntablism and was semi-familiar with Detroit techno; occasionally he was able to pick it up on the radio due to his proximity being in Ohio. Artists such as DJ Shadow and any of that “moody groovy weird stuff” drew him in deeper. He started hearing more and more about DIY house and techno, and simultaneously began collecting records. A self-acclaimed Craigslist hound, he scored a collection of Detroit techno and dub techno and from that point forward he was convinced. Additionally, “in a crazy stroke of fate” he was able to flip a mediocre pair of turntables for a mint pair of Technics at a price that was somewhat unimaginable.
“I started collecting techno records and there’s a really sick shop in Cleveland called Bent Crayon, which is legitimately the best record store in the country.”
Frank would pay close attention to the owner’s favorite picks that he would showcase in the shop. Additionally, the shop’s owner would throw events and Frank found himself at Regis and Veronica Vasicka. “That was probably the first techno thing I’d really gone to … it was just freaks coming out,” he says.
When Bent Crayon brought Voices From The Lake, Frank ran into previous co-worker Adam Miller and from there they “went down the wormhole” together. Frank and Miller started going to Hot Mass in Pittsburgh in 2013. “That was huge to see – how cool a party could be and how un-club like it could be.
“It was funny because I really didn’t want to go … I was tired,” he says. His interest was piqued for psilocybin, nothing serious and without a very real intention toward it. But Miller approached him – unaware of Frank’s predisposition – and said he had some mushrooms. The romantics might call it fate, regardless, they both hopped on the Interstate 76 toward Pittsburgh.
“[Hot Mass] was unlike anything I’ve ever been to. You know, just a tiny dark room with a killer system. People weren’t talking, people were dancing. You could dance with other people. Totally uninhibited.”
After Hot Mass, Miller invited him to Sustain-Release and with hesitation Frank eventually agreed. “That’s when I got my mind blown about the possibilities of the intersection of DIY culture and dance music … I was dialed in throughout the whole weekend. It’s the most cohesive, perfectly built thing I’ve ever seen. It’s insane.”
The communal vibe of Sustain-Release was a clear inspiration which has worked as the oncoming structure for Strange Allure parties.
“Just seeing all the different people that would come out. Certain people, and groups like Discwoman, using it as a platform to approach real issues and talk about things in a very punk sense, it was really cool. The thing that was cool about Sustain-Release is how represented the female talent was, that was awesome. There have been things that I’ve been to that were clubby and just fucking bros … if there’s one thing I cannot relate to, or one thing that will drive me away, it’s that.” Sustain-Release, a total void of the surface mainstream EDM, became a beacon in his mind’s eye.
“Seeing the detail and the care that all these people put into building this thing and it turning out perfect … such a cohesive idea, seen all the way through – it was really cool.” — ALAN FRANK
Sometime later, friends of his were throwing a Halloween party and asked him to DJ. “It went way better than I expected,” he says and people urged him to continue playing house and techno. In the summer of 2015 he decided to explore something new and assembled a group of 10-12 fresh air punk homegrown people. With connections in real estate he started bouncing with the idea of curating an event in the city of Buffalo.
Frank had the name Strange Allure in mind a long time ago. Inspired by Mission of Burma, a post-punk band from Boston, Mass. in the ’70s-’80s, he scribbled the name down on a dry erase board in his bedroom studio hoping to one day use it for something. Next step was to figure out who to book for the first event. While in Toronto to see Jay Daniel, by happenstance arrived in time for doors; “I was there so painfully early and nobody was there except me.”
Stuart Li, otherwise known as Basic Soul Unit, was there and the two started chatting. Li agreed to come through to play in Buffalo and the first Strange Allure party was born.
After a slight location snafu before the launch party he cold called people for five days straight and eventually landed on the East Side space where Strange Allure held it’s first party. “I was so stressed out because I did not want to cancel that show because I thought we were going to be able to ride something really cool that was happening with Western New York and all this stuff that was coming to a head,” he says. In a warehouse that functioned for powder coating and as a lumberyard in the 1920s, the collective started to turn it into something different.
“That spot was totally haphazardly thrown together. We got in there maybe two days before the show,” he says. “I had no idea how to build it up. We made everything out of stuff that was found there. The sound system, we built that little makeshift stage and all it is was are pallets and drywall. We dropped the subs in front of it and it was perfect, totally flush. The speakers fit perfectly. That bar is just an old headboard. The car seat we put in the lounge area. The table we were using at the door was already there. Everything was just in there.”
The day began at 9 a.m. to prepare the party and after loading in and loading out they cleared the warehouse by 9 a.m., a few hours after the party ended.
Prior to the launch party, the crew put together a fundraiser event at SolRise studio on Buffalo’s East Side. “It wasn’t a great turn out but the people who came out were really excited to see techno in the city,” he says. “We really tried to build it up and promote it as a community-based party and make people feel welcome and make people feel like they’re part of something.”
Working hand-in-hand to create something together, an evening of Strange Allure is one worth exploring and full of surprises.
For the next Strange Allure installation, catch Detroit’s Erika and BMG [Interdimensional Transmissions] on Saturday, June 18.