CHICAGO – A smartbar 35th anniversary celebration…
23 Hour Party People with…
Aaron Clark / Eris Drew / Garrett David / Harry Cross / DjHeather / Jarvi /Jason Kendig / Jeff Derringer / Justin Long / Michael Serafini / Olin / Phillip Stone / Pat Bosman / Sassmouth / Savile / Sevron / SOLD
+ Hosts and visual artists TBA
$20 Advance*, $10-$40 Door; limited free entry before 7AM / 21 & Over
7AM Saturday, Nov 4 – 5AM Sunday, Nov 5
*Advance tickets are subject to up to a $10 surcharge based on arrival time. Please review the timetable for more information.
ALL entry is based on capacity! If you want to ensure you get in at the busiest times, arrive a little earlier. We suggest the either before 9AM, between 4PM and 7PM, or after 3AM.
Re-entry is allowed, but based on capacity. If you leave and we’re full when you come back, you’ll have to wait. There will be a designated smoking section for those who smoke or would like some fresh air.
Similar to the interlaced fabric that the title encourages, MESH is a new queer party contributing to the creative network of Pittsburgh’s dance community. Deeply inspired by Hot Mass at home and other queer parties abroad, Chad Beisner and Dov Fischer established their event to provide another safe place for music and freedom of expression.
They met during the very beginning of their college years at film school. Fischer says, “We met in freshman orientation at Point Park University and I skipped out to go out to a club and dance and came back the next morning covered in glitter and a total mess, so he walked up to me and the rest is history.”
As Pittsburgh natives they both share a passion for music and an appreciation for places that encourage creativity. Fischer says they have “always had a deep love for music, dancing, and positive creative spaces in general! I grew up listening to all different types of music from disco to punk and my love for dance music derived from that.”
Beisner, who also DJs as ChadKid, started exploring dance music in high school. “I eventually bought a controller for my laptop and started DJing at my friends’ high school parties. At the time I wasn’t really exposed to techno music at all and was playing R&B edits and disco. When I first started to go out when I was in college, Hot Mass was one of the first places Dov ever dragged me to. That place really sparked my interest in techno and more underground electronic music. Without them I don’t know what I even be doing right now.”
Pittsburgh’s local dance scene has been growing significantly over the past several years. Although ripe with events at Hot Mass, they still have a small scene comparatively to other cities. Too many promoters in these environments can cause a competitive atmosphere and a dilution of quality, but MESH is on more of a symbiotic mission.
“Our city as a whole has been growing like crazy lately. And after being in our amazing scene and community of queers and music heads we have here in Pittsburgh, I’ve been able to see it grow as well over the past couple years. Dov and I have been wanting to start our own party for a while now, and we’ve done a couple of smaller things in the past that went well,” Besiner says. “But now the city is at a point where we have room for more than one queer techno party without it seeming like competition, so we figured now would be the perfect time to step in. It’s been great to be able to book and showcase artists that I love and give them a space to show off their talents to the rest of this amazing city.”
Fischer adds that the creation of MESH is to provide another safe place for queer freedom and visibility. With Hot Mass and some local bars there are certainly spaces already established, they say, “but there can never be enough.”
It’s also important to note that their party differs from Hot Mass in many ways. MESH is not an after hours party, which has a prominent impact on the overall atmosphere. Besiner explains, “I think there’s a lot that’s fundamentally different about our party from Mass for sure. And not that Mass/Honcho is doing anything wrong, quite the opposite, but we just wanted to create a different kind of queer party. Our parties aren’t all nighters and there’s no spaces for sex. Not that those are bad things but they can definitely create a different kind of dance floor vibe at a party. After traveling some last summer and going to parties like In Training in Cleveland and Jarvi’s Acid Daddy parties in Chicago, I was inspired to create a party with a similar vibe to those.”
Liberation through dress, dance and sound that can be found at these parties and within Club Pittsburgh is also welcomed for those who attend MESH. “Hot Mass is like a second home for me, I’m so grateful that I can be part of this amazing community and be a part of amazing events. MESH is very much inspired by the community Hot Mass has created. Hot Mass is a space where anyone can be who they are,” Fischer says. “Trust me I’ve worn some crazy shit there and all I got was love. MESH is another one of those spaces where we want everyone to express their true selves and showcase artistry of all queer people no matter where they came from or where they are going. Like I said before, there can never be too many queer spaces.”
Often adorned in mesh fabric, Beisner and Fischer developed a signature look. They decided to title their party after their favorite breathable dancing material, only to find the poetic parallels revealed as the event transpired. “As we thought about it more the better and better it worked. Mesh is breathable and unisex fabric and we like to think of our party as breathable and unisex too. Comfortable and accessible to everyone from all areas of the queer spectrum,” Beisner says.
Queer parties play such an important role in the music scene on a global level. These parties collectively work to not only shape the scene at large but also have a major impact for local communities by providing a space of acceptance where there is freedom to just be yourself.
“I think queer focus and visibility is important in any scene. Often times trans, non-binary, and just queer people in general are pushed out of scenes which sucks because there are so many amazing artists that can’t showcase their work. One of the main goals of MESH is to showcase these amazing artists.” – DOV FISCHER
Beisner adds, “Queers throw the best parties! I think all the queer people I know in our music scene are doing the most interesting things. And a good queer party will draw in people who might not be too into the music and turn them into someone obsessing over it. I know several people that Honcho has done that for, including myself. I’m sure all these other amazing parties have done the same for many others.”
MESH launched on April 28 at Cattivo, a bar and venue in Lawrenceville. Beisner provided opening duties prior to headliner Shane Christian, who DJs as Kiernan Laveaux. Not only is she an advocate for queer and trans rights, and co-creator of Cleveland’s In Training parties, but she is a growing name in the techno community, especially after her performance during this year’s Club Toilet and Industry Brunch parties in Detroit.
They both share responsibilities for the event. Beisner focuses on booking and wrangling the music and lighting equipment while Fischer handles budgeting, venue and space decoration. When the night of the event arrives their friends collaborate to lend helping hands. “It does overlap and we work together to find great spaces and artists. We are also lucky enough to have amazing friends that jump at the opportunity to help set up, work the door, and much more. It would be impossible without them,” Fischer says.
Barring the space being just a little too big, the evening was a success. Fischer says, “Our event at Cattivo was great! The turnout was lovely. The only downside was that the space was huge! It’s hard to fill a room that big. The staff at Cattivo was very accommodating and great! They welcomed us techno weirdos with open arms. Shane’s set was amazing! She is such a talented DJ and it was such a honor to have her play our first party!” Beisner agrees that their first event went smoothly and free of any problems. Venue hunting is tough in Pittsburgh, especially when looking for an underground spot that is also the perfect energy for a queer friendly environment. Fischer continues, “Finding a space is difficult no matter where you are, I find. Pittsburgh has very strict liquor laws and that can be a bit of a challenge especially with after hours parties. For now, having a non-after hours party is great. People are often intimidated by after hours so while we build a following, this is perfect. We would love to find a space to settle in monthly but for now we are still on the search!”
“We want to build a very strong sense of community and a good vibe of queer friends dressing up and having a good drunken time on the dance floor together to music they love. That’s what we are hoping to bring to Pittsburgh with this party.” – CHAD BEISNER
Beisner agrees on the difficulty found while scouting locations. “It has definitely been the hardest part of organizing this party. All the existing gay/queer spaces are not fit for any kind of party like this, and some of the spaces that are aren’t necessarily the safest places for queer people … We aren’t opposed to staying in one place, but definitely are always on the lookout for new and interesting places. We wanna keep it fresh and expose people to new spaces in the city as well. Also we really wanna do a poolside day party, so if anyone has any leads on that please contact us,” he says with a laugh.
Finding The Glitter Box Theater for their next installation of MESH is a dream come true space, they say. Hailing from Chicago on June 30 will be Jarvi, and opening will be a live set from local duo A&L. Beisner says, “This time the space is gonna be perfect I think. Glitterbox is this multi-use queer art space that just opened recently, it’s the perfect size for us and it will be great to have it in an actual queer owned space instead of a bar. We are bringing in Mike Masai’s amazing sound system that is gonna fill this space perfectly. And on top of everything this space is BYOB so it will be easy and cheap for everyone to get drunk and get dancing.”
Jarvi is a non-binary artist prominently known in Chicago’s underground queer house and techno scene. Among the Naughty Bad Fun Collective crew they can be found putting on parties at Smartbar for Planet Chicago, and also on their own endeavor hosting Acid Daddy’s Haus of Diesel at Berlin Nightclub. Opening the evening will be Pittsburgh’s A&L, a live collaborative performance of raw techno from Alexis Icon and Andre.
“We are so excited for Jarvi! The Glitterbox Theater is more of an art space while Cattivo was a bar. The set-up of Glitterbox is a little more our style and it’s BYOB which is always great,” Fischer adds. “As usual people can expect dancing, techno and lots of mesh.”
Eventually, the last track will play and the lights will come up and after everyone has gone home, Beisner and Fischer will be planning another event. Although anyone who throws parties does so for their own unique drive, there is always a common reason to do so: community.
Fischer says they throw parties because it allows them to “see my friends and community come together and just have an amazing time is enough cause to do it. Seeing people dance and show off their music, fashion, art, makeup, etc. is so amazing to me. I really just love to have a good time!”
Beisner adds, “Ultimately I just wanna throw a party where everyone can have a good time, feel safe, get exposed to some new music, and simultaneously create a space where my favorite DJs can play in my city. I wanted to expand on our already amazing scene here and create a place to dance that is welcoming to everyone. To look out at the crowd during a party and seeing everyone have a good time and dancing is the reason I do it. Putting an event together is more stressful than you imagine before you do it, but the end result is always worth it. We will also be donating proceeds to different organizations as often as we can. We donated all our proceeds from our first party to Planned Parenthood of Western PA. It’s nice to be able to make this party give back to the community.”
Keep a close eye on MESH as they continue to develop and grow in Pittsburgh.
CHICAGO – During Smartbar’s Daphne 2017 festival, Planet Chicago will present Virginia, Sassmouth and Jarvi.
$10 before 11PM with valid student ID,
$12 Advance, $15 before midnight, $20 Door
21 & Over / 10PM
“so many questions have been made
about this new dance craze, called acid
what people really want to know
is how the story, all goes, about acid…
this is acid
i’m gonna give you acid”
REDUX is bringing you another evening of non-stop grooves. This time bringing in Chicago’s Jarvi and Father of Two from Cleveland.
JARVI // chicago (nbfc, haus of diesel)
Jarvi – aka Acid Daddy – is a representative for the non-binary gender house and techno scene. A member of Chicago’s Naughty Bad Fun Collective, resident at Smart Bar for Planet Chicago (along with Sassmouth and Pat Bosman), and can be found on the dance floor jacking to proper beats. Hailing from Metro Detroit, they were introduced to the music at ayoung age. DJing has always been a dream for Jarvi and in 2013, with the help of mentor Sassmouth, that dream became a reality. Jarvi is additionally curator of the freaky queer club party, Acid Daddy’s Haus of Diesel at Berlin Nightclub in Boystown.
FATHER OF TWO // cleveland (in training)
Father of Two is a co-founder and resident at Cleveland’s queer electronic music monthly, In Training. During his set he draws you in deep, bringing raw, unadultered energy. He works to provide a decentralized approach where he connects the dots for regional dance music and styles from further abroad. Through In Training there is a set intention for autonomous safe living for oppressed and marginalized people regarding gender, sexuality, race, class and ability.
$15 at the door
11 p.m. – late
safe space: come as you are
Sound by Buffalo Pro Audio Group
In a world where society is structured by gender being categorized in two opposite forms, Jarvi Schneider’s gender identity lands fluidly somewhere in the middle of the spectrum, free from segmented definition. Fully enveloped in Chicago’s queer scene, the self-identified nonbinary artist and DJ was raised as a child in the house and techno scene of Detroit.
Jarvi spent their adolescence in Ann Arbor, Mich., eventually moving on to Commerce Township until the end of high school, to finally land in East Lansing, Mich. before moving to Chicago in 2012. The move, Jarvi says, was “to finally free myself from a state of no jobs, lack of public transit, and extreme queerphobia and racism.” Due to this atmosphere and being a hairstylist by trade, the salon was a difficult environment to find comfortable footing in Michigan.
While living in Michigan Jarvi says that “even within the queer communities, there is a lot of ideas of what a queer person ‘should and should not be’ or ‘look like’ to really be accepted.” They came out officially as nonbinary about two years ago.
To identify as nonbinary means one does not identify as exclusively masculine or feminine. “I have always been androgynous. I have always been called a boy. I think the worst of it all was being forced into a queer identity (lesbian), because anything outside of the binary was even too much for suburban Detroit queers to grasp. To be honest, I hadn’t even heard the term ‘nonbinary’ until I moved to Chicago, and even then I could hardly grasp it because of what I was accustomed to all my life. After some major trauma in my life, I realized that I had to make sure for the sake of my own brain and my chosen family, I had to be true to myself and who I am.”
Chicago for Jarvi meant better opportunities and was a cheaper and easier move from Michigan. “I sold my car, packed everything I owned into a Ford Excursion, and my cat, and I moved to Chicago knowing only a couple folks from high school, to start my new life.”
Jarvi is a member of the Naughty Bad Fun Collective crew, a resident of Planet Chicago night at Smartbar, and also runs and curates freaky queer club night Acid Daddy’s Haus of Diesel. Their introduction to the NBFC became a pivotal moment for Jarvi’s life in Chicago by experiencing an open, free environment and eventually learning the art of DJing.
“I found this crew (or maybe they found me) shortly after I moved to Chicago. They threw the best undergrounds in the city, always had the most welcoming vibes, and even outside of the rave we all became more than just people you hang with at the party,” Jarvi says. “After meeting Sam and the crew, I pretty much attended everything that NBFC did and started to help out with setup and tear down. Somewhere between that and the DJ lessons, I became one of the crew!”
It was just before Jarvi’s birthday in 2013 when God Particle label owner and NBFC’s Sam Kern (otherwise known as Sassmouth) gave them their first ever DJ lesson as a birthday gift. Jarvi says that “after two lessons we just vibed and kept working together. I think the bond we share is incredible because I have been listening to and attending techno and house events since childhood with my father, and not one friend or other DJ I have ever met had ever offered to teach me the craft. I’ve always known the music industry is a boys club, and having the opportunity to try to do something I loved and admired for years with a person who understands the struggle of not being a cis man in this scene, is easily the best gift I’ve ever received.”
The NBFC is comprised by Kern, Jarvi, Pat Bosman, Ryan Kelley, and a slew of other DJs, producers and artists that overtime have helped create and maintain the collective. The core crew shares roles collectively when it comes to bookings, design and direction. “That’s one of the best parts about working with these folks is that every last little bit of the vibe is created by all of us. I will say though that setting up sound has absolutely nothing to do with me. I can barely set up my TR8 to Ableton without referring to notes,” Jarvi says with a laugh.
For the month of March both Kern and Jarvi continue to use their established music platforms as a vessel to push and strengthen female, female-identified and queer artists, DJs and promoters by participating in Daphne. The month-long festival hosted by Smartbar will incorporate workshops and events to emphasize that mission. According to Jarvi, the biggest obstacle for women and queer persons is commodification.
“The constant struggle of, do you suck it up and go through it in hopes that you will get closer to being seen, heard, understood? I can’t tell you how many times I read an article about some white cis techno dude talking about his struggle not getting booked and having to work his awful 9-5 when all he wanted to do was play his Surgeon records for a packed underground rave. Sometimes it feels like there’s only a certain allotted amount of women-identifying and queer artists, and the recycling of the same ones can be frustrating not because they shouldn’t be getting all the gigs, but because there are so many of us in the world without exposure simply because so many people who are in charge of bookings don’t want to look. Probably because they don’t REALLY care. I think it’s also important to point out that if your women-identifying idols in music don’t help any other queer, women-identifying and nonbinary, or POC artists, they probably aren’t as progressive as you think.” – JARVI
Motivated by the frustration and with a desire to maintain personal and creative freedom, Jarvi started Acid Daddy’s Haus of Diesel a little over a year ago. The stage persona Acid Daddy came to fruition for Jarvi during Plastic Factory, the first party they were ever involved in at Berlin Nightclub.
“The party was a wild latex club-kid party with wacky installations and performances. La Spacer and I were the resident deejays for the Thursday night monthly, and it evolved somewhat from a joke in our group about how me and one of the other members were the ‘daddies’ of our group, and my love for acid house – among other things.”
Long after the Plastic Factory parties, Jarvi continued on harnessing the Acid Daddy energy. “I was up at a camping trip, Tentsex, when at some point in the weekend our generator runs out of – you guessed it – diesel. In a loopy state, I’m arguing with someone about how to get more fuel for the generator so we can get the music back up and running, and in stubborn Taurus fashion I storm off back to my tent. Sam happens to be in a porta potty and overhears me mumbling to myself something about ‘Acid Daddy, gimme that diesel’. The phrase stuck, and when I was given the chance to do my own party at Berlin [Nightclub], Acid Daddy’s Haus of Diesel just made sense!”
Acid Daddy is so much more than just a name. Jarvi says, “I think what is so important to me about this stage name (that may in the future develop into a moniker for music) is that it really represents the evolution of my gender identity and the happiness that comes from no longer being forced by society to be something I am not.” The name encapsulates and empowers Jarvi’s freedom from the oppressiveness of gender normative roles.
The house and techno scene is historically rooted in providing a free space for people of all types and expressions. There are so many artists, promoters, writers and DJs out there that continue to use the electronic music environment as a platform to promote cultural and social awareness, by cultivating a safe welcoming space. Yet, there are places within house and techno where those roots have been lost somehow. Our music scene is just a microcosm of our society at large.
To deviate from the normalities of any facet can result in a negative response from others. That’s what makes the dance floor so unbelievably significant. That’s what makes artists like Jarvi and so many others equally important. To understand that gender and sexuality are on a spectrum is to see that by inherently breaking binaries we are simply forming unity.
“The gender binary is just a way to keep cis men in control and women-identifying folks subservient. Even the most progressive cis folks I know still show me totally innocent ways of being affected by the binary. I think the most obvious is the inability to use gender neutral pronouns. Folks can learn a new hobby, how to operate a vehicle, or get a certificate/degree in a field they’ve never understood in their life but can’t incorporate a plural, nonbinary pronoun into their vocabulary when they already know the word. I struggled with the use of ‘they/them/theirs’ at first, and I identify that way. Sometimes I think folks can’t grasp the use of neutral pronouns because they still don’t really believe that it exists. I connect very much with femininity and that identity, but not 100 percent. I cannot really say that I relate to anything masculine, and honestly spent a lot of time trying to dismantle the binary connection with words, for example, ‘daddy’. NBD (nonbinary daddy) is a term we use out here in the Chicago queer scene a lot. I highly doubt I started that term, but it definitely fits like a glove.”
What does being nonbinary mean specifically for Jarvi?
“Grey area. In between. Not this, not that. I truly believe there are more nonbinary folks in this world that exist than cis folks. Once the term becomes more common in mainstream queer entertainment (because it has to start there before we get it across the board) I think a lot of folks who realized that this binary they’ve been forced into because of tradition and fear, really is not for them. Some days I feel like wearing a dress, sometimes I feel like wearing a suit, sometimes I feel like growing out my mustache and being topless in a leather chest harness, but not one of those outfit choices express any binary gender to me. when you erase that, you have so many less things to worry about because you just get to be you. However you want to feel or look, it’s just you.” – JARVI
Nonbinary folks fall within the overarching transgender category. By definition transgender denotes a person whose identity and gender do not correspond with their birth sex. Gender expression and identity is expansive and complex, yet simple at the core: people are who they are, and they should feel comfortable being and expressing themselves. But we live in a society where transphobia is very real, causing harm (in varying degrees) to those who identify beyond the binary.
Jarvi spoke a little bit deeper about experiences had alongside Chicago DJ/promoter Ariel Zetina. “My relationship with Ariel, be it romantic or platonic, has always provided us with struggles from the outside cis hetero and cis gay male groups. Whether it’s slurs stemming from binary-loving cis hetero normies, or the hyper-sexualization of both our nonbinary trans identities. By cis gay men, we both encounter negativity even in the most unlikely of places (i.e. queer spaces). I have learned so much from her, especially about POC trans and queer-related events, artists, and struggles that are otherwise swept under the rug so to speak in primarily white queer spaces (which is most of the spaces in Michigan).”
How can we help? Javi says: educate. “If you hear something offensive or hurtful, it’s pretty easy to respectfully explain why that isn’t tolerated and to enforce that strict no-tolerance of hate in spaces, whether it’s rave spaces or the dang super market.”
Music will continue to be the space for Jarvi where there is safety and love. It is so very clear that this deeply rooted passion has helped them evolve and grow into a true representation of themselves. Isn’t that what we’re all really striving for?
“I love music because it saved my life. It can say everything I can’t put into words. The music itself doesn’t judge me, it guides me. Without music I would never know the rave scene. I would never have found my chosen family in the underground where you can be anyone you want to be, as freaky and weird and out there as you want. Like-minded individuals all there together because the world doesn’t see us as the creative and beautiful individuals we are. PLUR forever.”
Free before midnight with valid student ID
$12 Advance, $15 Before Midnight, $20 After
21 & Over / 10PM