If you spent any measurable amount of time last week on the internet you likely had a hard time escaping the posts about Dekmantel Festival (or their live Boiler Room feed). Each year the festival, which takes place outside of Amsterdam, plays host to top notch selectors like Motor City Drum Ensemble, Moodymann and The Black Madonna, sending waves of jealousy rippling through the dance music community. Outside of this one hectic weekend a year, the Dekmantel crew can be found heads down, cranking out quality house and techno tunes on their own vinyl imprint.
Launched in 2009, Dekmantel Records’ lengthy catalog features releases from the likes of Juju and Jordash, Matrixxman, Vakula, and this week’s feature: Central.
Part of Denmark’s Regelbau crew, Central is no stranger to dance music, and his latest release on Dekmantel highlights his ability to craft classic, functional floor ready cuts seemingly with ease. Political Dance presents itself as an album, though split across two separate EP format releases, Political Dance #1 and #2. The no frills jacket caught my eye and sent me home with the first record. After a day of listening I had to head back to the shop and pick up #2, which has quickly become my favorite.
Opening up this release is A1’s “Convenient Departures”, a basic, deep-ish house jam that brings nothing new to the table but does it extremely well. Simple four-four pattern and welcoming bassline keep this one moving while the atmospheric pads make it perfect for warming up or winding down a night out. “Detour King” on A2 opens up with a break loop that ushers in the perfectly meshed rolling bassline. The addition of well-layered synths and pads give this one a spacey vibe that sits well with me. On the flip side, “Political Dance”, the title track and my personal favorite of this release starts off with a thick kick and a tripped out organ loop. I really enjoy how the low end of this track evolves from subtle and complementary to full on leading the track about halfway through. Finally the release closes with “H’ Ain’t Nothing But A Number” – another functional, deep and spacey house cut. It’s nice to find quality, timeless sounding house records still being pressed, sometimes that’s worth the purchase alone.
If you’re a fan of the tunes here, I definitely suggest checking out the first half of this release. Both are widely available on the web and a little bit cheaper on Discogs. If doing your homework is more your style, dig a little bit deeper in to the Regelbau crew and the records they’ve put out over the last year.
Wax Runoff is a weekly feature that will showcase new finds and crate favorites. Colin Boardway, formerly of Chicago, is now based in Greece as the label manager for Yoruba Records. He has spent the last 10 years developing his sound by digging deep in the bins wherever records are sold.