The I-90 might be just a stretch of pavement but it has served as an influential link in the growth of the Western New York dance community. When told there’s a scene Upstate, those who don’t know might respond with a look of surprise. But Rochester and Buffalo in particular have a strong rave history and future. These two cities are filled with pockets of people absolutely passionate about house and techno, and everything the music entails. There are folks throwing parties that leave DJs in awe. There are DJs in these cities that are deep diggers and ripe with talent. There are dancefloors in these symbiotic scenes that are intensely energetic.
Signal > Noise is a party in Rochester, N.Y. that really helped fuel the WNY scene to its current state. The first party was in 2015 and they have since booked high-octane artists such as Shawn Rudiman, Claude Young, Noncompliant, DJ Minx, Derek Plaslaiko, Eric Cloutier, Norm Talley, Bill Converse – the list goes on.
Joe Bucci, one of the founding S>N crew members, delves a little bit deeper and shares his perspective of the WNY network, its history and its current significance.
“The role we are playing as a region has grown immensely. I know that historically WNY played a huge role in the community. During the ‘90s and early 2000s this was a hub for the rave community. Hosting parties connecting cities. Caravans of heads driving from Syracuse, Rochester and Buffalo to the Midwest and beyond. This predates my time here in the community but the guys who make up S>N with myself were part of that scene – that was their coming of age. It’s what helps fuel what we do now,” Bucci says. “What our community has morphed into is a powerhouse in my opinion. In four short years WNY has went from EDM, Bass parties, almost exclusively to what we have now which has evolved into a harmonious community. While those events still dominate the landscape just underneath that, you’ll find a rich scene. With ourselves and Sole Rehab operating out of Rochester and in Buffalo you have REDUX, Strange Allure, Aural Shift, and Pyramid. That’s not even including the one-off local nights, and Rufus Gibson‘s other venture at Gypsy Parlor with his monthly.”
He continues, “What I’m getting at is the local scene is on fire right now, each crew pushing the other to up their game in the friendliest of ways. We all try to work together to balance calendars, bookings. Trying to support each other. While bringing in some of the finest talent that is out there. At first it took some selling to get artists to come play our corner of the state. Perennially overlooked for NYC or Toronto. Now tours are being booked with WNY in mind. That is a quick change in four years. Each crew puts in work to create their vibe and aesthetic. But if the people do not show up it might as well be done in a vacuum. That hearkens to the people who attend the events and make up the community. They are the fabric of it all.”
Don’t Trust Humans, based out of Chicago and Portland, published a run of mixes that showcased each cities talent. Inspired by this Bucci established the Signals mix series about a year ago. It is “a great way to learn about what the local artists sound like and gives you almost an overall vibe of what is defining the local sound,” he says. “Our local community is made up of primarily Rochester and Buffalo artists; let me tell you there are some really talented people between these two cities.”
Each week for the month of April Signals hosted a “/WNY/:Love*” series showcasing five artists from Buffalo and Rochester. “Everyone we chose for this are fantastic artists in their own right. Each has the ability to craft a set and move a party,” Bucci says. “It’s fun to listen to how each artist can craft a mix. Is it just grab what I’m diggin’ right now and enjoy? Is it more of a journey? To see what story is told by each contributor is exciting.”
Bucci: “I absolutely love Lydia’s style. Energy, knowledge and an ear for great tracks. She’s played a few of our parties and we consider her close family. Watching her move from vinyl to digital has been fun. I was surprised when she cut the mix it wasn’t all vinyl. Her ability to craft a set is on full display with this one. A lot of fun. Lydia truly is a foundation member of our community. It was only fitting to have her contribute.”
What do you love most about the Western New York dance community?
Lydia: I love that there are layers (generations) of people who’ve experienced the WNY scene who may not have known each other at the time they experienced it, but that WNY still provides that connection as people move on to other/different/bigger scenes. Example: I might tag a friend living in Berlin or Toronto or wherever who I met through the Buffalo scene because another DJ with WNY roots is playing a night there in that city that I think the first friend needs to check out. I also love that while we go out in our scene for the music, I feel a lot of times in Buffalo the dj or the music is an excuse to catch up with friends we’d not otherwise see. Obviously we go for the music always, but here it’s also quite a bit about meeting up with the good friends, despite or in spite of whoever happens to be playing. That’s what my nights were about when I threw them – getting the locals together for a raucous night of dancing and yelling and joking around.
Bucci: “I asked Alex to contribute because his curating with Strange Allure is fantastic, their parties are fantastic and a not miss. Always bringing in amazing artists who are just flying under the radar or bringing in strong innovators like BMG and Erika. I wanted to showcase the local talent but as well the people behind the parties and what they dig. This guy knows music. He performs as New Sphere Electric on his own and as a duo in Pure and Supreme. Very talented guy. I was very excited to hear what he put together. It was most certainly a journey mix. Which I love – take me on a ride. Mission accomplished.”
What do you love most about the Western New York dance community?
Alex: I’d say my favorite thing about the WNY dance community is how unpretentious it is. You get folks from a variety of backgrounds, some with little to no knowledge of underground dance music, all coming together simply to get down. The artists get to cut loose and the music can get as weird or wild as they want it to. It’s a very unifying experience as everyone gets to take chances and share in a unique experience that couldn’t take place in a lot of other cities.
Bucci: “I don’t know where to start with Nick. He is easily one of my favorite people. Very loving person who has a vibe about him that is magnetic. He does a great job putting together very danceable sets. High energy with a healthy dose of Diva. Nick has played for us a few times. Opening for Black Madonna as well as appearing at our Sunday Shit Show last year. Nick’s collective Sole Rehab throws killer parties. Great underground location, fantastic guests, thick vibe with a ton of raw energy. We are also fortunate to call Nick and the rest of his Sole Rehab crew as co-conspirators. For the last few years we’ve joined forces to help put on an unofficial Rochester Gay Pride event. Much like Jim and Lydia, Nick has been one of those people who are in the fabric of our WNY community.”
What do you love most about the Western New York dance community?
Nick: The dancers (both the new and the veterans) trust the DJs. They are totally along for the ride. Which of course, makes for some really fun trips!
Bucci: “I’m going to be honest these two are a mystery to me. I know I fucking love them both. I met them both at one of our first parties and have stayed friendly with them ever since. Sherri and Mario are each members of the Buffalo collective Strange Allure. Sherri has a magnetic energy about her and a very creative perspective. Mario: I know he is a strong well-rounded musician, but he is also a man of few words. That being said when you see the soon-to-be husband and wife duo together it all just flows. So the music they make together as UVB76 is represented of that. All live gear oriented style. I approached Sherri if they would be interested in doing anything after I heard a few things they had put together. Almost a year later here is the finished product. I’m pretty sure her and Mario went up to a cabin in the woods one weekend and recorded a bunch of stuff. This is the finished product of that cabin session. A 45 minute live belter of a mix.”
What do you love most about the Western New York dance community?
Sherri: I love that our WNY dance community consists of some wonderful sweeties who are genuine, unpretentious, and pure fun. Our dance floors are happenin’ and the sound is on point. There’s a reasonable variety of quality events in interesting non-club spaces.
Mario: Even though the community here in Western New York may be smaller than other bigger cities I’ve visited, I feel like the passion and excitement for events is greater. I believe people tend to appreciate what we have, and don’t take the experiences we offer for granted. And we have so many talented people in our area that always inspire me to create music and art, and be more engaged in the scene myself. It’s a wonderful creative cycle that I hope continues for a long time.
Bucci: “S>N member and resident Jim also holds a title that I personally hold him to. Best DJ in WNY. He tells me ‘whatever,’ whenever I tell him this. But it’s my opinion. This guy is a encyclopedia of music. From Jazz to hip-hop to electronic. His ear for a track is fantastic and a hell of a technical DJ. When I relocated to Rochester from Chicago, Jim was one of the first local DJs I heard. After I heard the first five mins of his set, I knew I was going to be OK. At least there were guys like him around to keep me dancing. The fact that he is a S>N resident, color me lucky. Needless to say Jim, like Lydia, is another foundation member of our community who has been at this since the ‘90s. No better person to help represent what Rochester has.”
What do you love most about the Western New York dance community?
Jim: The intimacy, family-vibe, collaborative spirit, and authenticity.
Head on over to the Signal > Noise Soundcloud and dig into these stellar mixes, or perhaps one of the live recordings from their parties like when Sassmouth and Shawn Rudiman rocked a warehouse space, when Gay Marvine brought sounds for Pride, or Derek Plaslaiko‘s 6-hour set. Keep an eye on Western New York, and if you get a chance to hit one of their dancefloors – you should take it.
Ariana Paoletti’s transformative journey through sound has certainly brought her changes in scenery. From her formative gothic years to becoming the DJ known worldwide as Volvox, it has been her undying passion for music that continues to drive her. A Portuguese saying goes, “O amor é algo eterno; o aspecto pode mudar, mas não a essência” – Love is something eternal; the aspect may change, but not the essence.
She was born in São Paulo, Brazil. But when she was two years old her family moved to the United States due to the country’s 1987 debt crisis. “Just days before my family was set to move the banks shut down and kept everyone’s money, including my parent’s entire savings,” she says. “They arrived in the United States with a little more than $2,000 to their names, but my American grandparents took them in and helped them get started in Buffalo (where my mother was from).”In Western New York on the Niagara River sits Buffalo, a small and gritty rust belt city only a stone’s throw from Canada. Not only was Buffalo’s rave scene strong in the early 2000s, the Queen City brought life to various famous underground artists and was also home to a very prominent hardcore scene (most notably Everytime I Die). “I had a great time growing up there and was never bored,” Ariana says. She attended Amherst Central High School, just east of downtown proper. She was a vocalist in a punk band, and from 2001-03 she played keys and performed vocals in EBM-industrial band Process of Elimination; they would open for international Industrial acts locally and in Rochester, N.Y.
“There was a venue called the Showplace Theater that was in a crummy part of town that would let us host our own shows but we had to buy tickets from the venue and resell the tickets ourselves to cover the overhead of the event. So imagine a bunch of goths pushing tickets on their friends, almost monthly. It was a hassle but we loved it! Many times we just paid for the tickets ourselves and let our friends come for free. We were all under 18 at the time so these shows were the best option we had for going out and having a scene,” she says.
A pivotal place that defined her teenage clubbing days was The Continental, a now defunct goth/punk dive bar that was located downtown at 212 Franklin Street. “It had been open since the ‘80s and was the de-facto home of the underground/alternative scene in the area. It had a performance stage on the first floor and a dance club upstairs. It was dark and dirty and smelly and sticky and beloved,” she says. “The funniest thing I remember about the club at The Continental was that the dance floor was the width of the building but relatively narrow, the long side was mirrored and so everyone in their goth finery would dance and preen facing the mirrors, checking themselves out and the others behind them! Eventually my band played there once or twice, which was pretty exciting for me as a teen.”
It was a space unlike any other in Buffalo, where fetishism could be expressed freely and the dark electronic music ranged from postpunk, Industrial, and EBM. “Occasionally they would host touring band shows that were 16+ and I would hide in the bathroom to avoid being kicked out before the 18+ club night started afterwards. I specifically remember an Ohgr (Nivek Ogre of Skinny Puppy solo act) show in 2001 that was a big moment for me. Ogre was the most famous Industrial music figure after Trent Reznor of NIN and Al Jourgensen of Ministry so this show coming to Buffalo was a huge deal.”
When it comes to raving Buffalo is primed for it. Similar to Detroit, the city relied on manufacturing (particularly with Bethlehem Steel) and saw a rapid socio-economic decline along with deindustrialization. Homes began to disintegrate and many spots in the city became ghost-like structures, only to be inhabited by temporary new life.“Just before I went totally goth I started attending raves in the area with some friends – Buffalo had tons of abandoned spaces along Main Street downtown and also in Fort Erie and Niagara Falls. The first rave I ever went to was in 2000, put on by local promoters Phlux and it was a MASSIVE affair held at the Niagara Falls Convention Center. My parents drove me there and picked me up at noon the next day. I had never been to any dance event on that scale and I still distinctly remember walking into the massive main room, it was so dark and large you couldn’t see the ceiling, or the end of the room. It was a proper classic rave with multiple rooms each a different genre including a chillout room. For a while my parents drove me to and picked me up from these events to ensure I was behaving responsibly. Indeed at this time I was still naive to the world of drugs; I was just thrilled to be able to dance for eight hours straight! There were many raves I attended around that time but Groove Attack was by far the largest and most memorable.”
When school wasn’t in session Ariana would perform The Rocky Horror Picture Show each Friday night at the Amherst Theater on Main Street, a staple to this day for new art films and re-screening classics. “Nearly our entire cast was from my high school. I had very horrible acne on my face and back at the time that I was extremely embarrassed about it but performing in various states of undress with these folks helped me feel more confident about my body and how I looked! My mom would drop me off at midnight and watch X-Files at home until 2 a.m., she’d then pick me up when our show was over. Once I had my drivers permit I drove myself and my friends home from these shows as my parents were very sick of staying up so late,” she says. “I had stellar grades and was very serious about school which is why my parents were always so accepting of my nighttime interests!”
Upon graduating in 2003 she was deciding between Boston or Chicago; she chose to attend Massachusetts College of Art and to continue clubbing unhindered. “I was already well entrenched in the Goth clubbing scene by the time I turned 18 and indeed I chose to move to Boston over Chicago because the minimum age for clubs in Illinois is 21 whereas in Boston it was 19+ at the time. Club life had already become my main interest and there was no way I was going to put that on hold for three years!”
Through Livejournal she ended up connecting with Angeldustrial, a local crew throwing events at Cambridge goth-club, Manray. “They welcomed me with open arms into their midst. I became a part of the crew, eventually joining their fetish-leaning dance performance troupe” for about a year after her move. “That was the beginning of my professional involvement with clubs, as I made the transition from spectator to performer.”
Angeldustrial’s core beliefs include “raising cultural discourse through high technology and blending social circles for greater DIY networking.” These friends got Ariana to start DJing in 2006 with a group birthday gift organized by her friend Jenn – a Numark CD Mix 2. Koren (aka DJ Punketta) helped get her first DJ gig at Redline, a Harvard Square bar that’s now closed. But before she started learning the craft she was being molded on many Manray nights in the dark corners of the club.
Manray was an integral space for the Industrial/goth scene from 1985 to 2005; its name derived from the Dadist artist. Although it has been more than a decade since closing, Ariana can still visualize the space vividly. It was “a sprawling old-school style club with several rooms, a main dance floor, second dance floor, lounge with its own bar and a downstairs with men and womens restrooms, coat check and a large dressing room. Manray’s main dance floor had a second story DJ booth so the DJ was totally out of sight, but looming over the dance floor. There was a phone booth in the corner you used to request songs from resident DJ Chris Ewen. There was a large stage that hosted many famous bands and also the dance/fetish performances. The main room was sonically dedicated to goth, rock, and ‘80s synth. Swishy stuff that trad(itional)-goths loved to swoop around to in a flourish of velvet, point toe boots and clove smoke. The second room was more of my domain, focused on EBM, industrial and alternative electronic sounds with a decidedly more cyber-futuristic and European slant.”
As Manray closed its doors in 2005 the local scene fell along with it, although some of the club’s events continue elsewhere to this day.
Eventually she “made the transition from goth/industrial to electro/techno.” A party called Hearthrob – which took place every other Tuesday night at The Middlesex Lounge – is where she sparked a residency with Make It New. Hearthrob is also where she met “an entire small village of people that now live in NYC all met there, including NYC lighting designers Michael Potvin and Kip Davis, Unter’s Olga Romanova and KUNQ’s False Witness.”
“I ditched the black and went full on new-rave as the noughties rolled on into the blog-house era. Soon after I was asked to become a resident of Make It New, the weekly Thursday party at The Middlesex thrown by the Basstown crew. The people I met there showed me that you didn’t have to be ‘an adult’ or established to throw a great party, and the Boston electronic scene as it was now basically grew up around the Hearthrob and Basstown parties.”By 2008, freshly graduated with an art degree in hand, she decided to attempt living in Berlin. “By then I knew Techno was my life and so I had to get to the motherland. I remember the first time I went to Berghain was in 2008, as I heard it was a pretty sweet fetish/alternative club, like I was used to at Manray. I was still mourning it’s closing so I was excited to get back in black,” she says. “It was so way beyond anything I imagined. I remember I wanted to see Mark Broom play so I rushed my friends to get there at 1 a.m., which to me was very late to get to the club! When I arrived I found out Mark wasn’t playing until 6 a.m. or so…what the fuck!? I had no idea clubs were open that late.. On some later trip someone from Juilliard took my photo outside the club for a school project, maybe one of the earliest such surveys.. I don’t know where those images ended up but I’ve always wondered…”
Her best friend Lauren was working as label manager for International Deejay Gigolo Records, and DJ Hell would invite Ariana to staff meetings. Exploring her local Media Play in Buffalo is where she became familiar with the label and others such as Astralwerks and Hed Candi.
“CD compilations used to be a huge thing and the Gigolo series was second to none. This is where I learned about artists from Terence Fixmer to Derrick Carter. When I was 17 years old I told myself ‘one day I’ll go to Berlin and meet DJ Hell.’ It was an insane dream, as far removed from my teen life as anything I could imagine. Well, I completely forgot about that until in 2008 I was sitting in the Gigolo Berlin office and it hit me. ‘Holy shit.’ I thought to myself. ‘I’m here. ANYTHING is possible!’” – VOLVOX
Three months later in Berlin, she says, “I was 23, recently graduated and jobless, with blue hair, a terrible spat of chin acne and a bogus story of working at a record label. Nobody would rent me a room until one day I met a Brazilian guy whose room I was interviewing for. The lady I was looking to rent from had a giant gnarled ponytail hanging off the side of her head and red lipstick that was all out of the lines. She had a huge dog, hundreds of plants and asked me metaphysical questions about ‘what I wanted from Berlin.’ ‘You don’t want to live here,’ he told me. ‘This lady is crazy. If you don’t find anything else you can come stay with me, I’m moving into a one-bed.’ And that is just one of the many times being Brazilian has saved me in a pinch.” Their chemistry as roommates matched as his job had him up early to work each morning and Ariana would sleep during the day after being out each night.
Until one morning her roommate woke her up in a panic – there was a fire.
“We tried to make an escape but we were overwhelmed by smoke in the hallway and I almost lost consciousness choking in the darkness. It didn’t help I just HAD to bring my DJ bag with me. I started to drift off then I remember thinking to myself ‘No, I’m not going out like this, not now.’ I got up and shouted for my roommate. Just as we were both about to pass out he smashed the hallway window with his bare firsts. Firefighters arrived soon after and took us to the hospital. After this experience I decided I had enough of Berlin and moved back to Boston.”She spent three more years in Boston DJing, throwing events and dealing vintage clothes. Her gigs were frequent, but $100 a night just wasn’t enough. “In the back of my mind there was always this nagging voice telling me that a wider world was waiting for me, and that I was squandering my potential staying in Boston.” In 2011 she made her move to New York City.
Working her way into the rhythm of the city she started promoting at The Flat, and also helped found Moon II along with Michael Potvin. This warehouse art space on Rutledge Street off Broadway became home to a series of raves and events which Ariana says “put our group on the map in the burgeoning DIY electronic scene.” One of the space’s first tenants, Daniel Fisher (aka DJ Physical Therapy), was a nexus figure integrating them into the local scene. Ariana recalls Ron Morelli playing one of the first parties and Mykki Blanco using the space to rehearse.
“Eventually the local Hasidim who owned the space brought those efforts to a close, they certainly didn’t appreciate all the queer party freaks that were hanging outside, smoking cigarettes and carrying on into the morning light,” she says.
Fischer introduced her to John Barclay, owner of Bushwick’s beloved Bossa Nova Civic Club. At the time the bar had just opened and he was looking for a resident on first Fridays of each month. She and John Barera ran the monthly together for a couple years before it evolved into what is now known as Jack Dept. “For the first couple years the party had no name, only hot DJ lineups and little more than a Facebook event. That was the style in Brooklyn at the time, very understated, if you knew the artists you knew what was up. I don’t even have flyers from that time, I guess we never even made any!” Yet, popularity for the party grew.
“When I came up with the name Jack Dept. all the energy we had put into the parties up until then just came together in a big way. I remember one dancer excitedly letting me know ‘I’ve been to ALL the Jack Dept.’s!’ …it was only our second party. That’s when I knew the name was spot on, that it would encourage such enthusiasm and also stand for a consistent level of forward-thinking bookings.”
Some of the party’s bookings include Shawn Rudiman, Kiernan Laveaux and Father of Two, Justin Cudmore, Doc Sleep, Hot Mass residents, Eris Drew, Mary Yuzovskaya, Patrick Russell – and that’s just to name a few. “Over the years I’d say half the people that came to the early parties have become famous in their own right and the party is now informing a new generation of edgy Brooklyn clubgoers,” she says, adding that her and Barera are working to bring in national upcoming talent.
“I deeply appreciate having the privilege to break young artists here in NYC and also to provide an intimate club experience for more established DJs to enjoy. As I play more and more massive events across Europe I have recognized that the intimate dive/club experience is something that brings me back to my roots and lies at the heart of my passion for dancing and electronic music.”
Out of the party grew a digital-only record label of the same name in 2016. Pushing lesser known producers who create techno and acid, the imprint has seen releases from Will Martin, M//R, TX Connect, AAAA, Horos, Innershades & Robert D, and Pete Vai. Ariana handles the art direction.
Additionally, the Bossa Nova residency is where she became acquainted with Frankie Decaiza Hutchinson, Emma Burgess-Olson and Christine McCharen-Tran: the founders of Discwoman. This collective has grown to become a globally-recognized platform and booking agency for woman-identifying artists. As one of the group’s first clients, Discwoman has played an integral role for Ariana not only providing further growth for her DJ career, but in the strengthening of her community.
“Discwoman definitely turned me on to the female DJ mission. I guess what I’ve realized now is how amazing and special my youth experiences were in that all the scenes I’ve described until now were well-balanced between men and women, straights, gays and everyone in between, people of all races and decidedly liberal and creative leanings. I never felt like anything was missing but clearly that hasn’t been the story everywhere. I’m happy that Discwoman can inspire more people to take up electronic music, their support also showed me that there was a wider audience for what I do than I ever imagined!” – VOLVOX
When she’s not at Bossa she also holds a residency with Unter, the acclaimed underground party whose unique aesthetic and high-caliber bookings have brought on a serious reputation. Additionally, for the past few years she has been touring on an international level stretching to 21 countries beyond the United States. Her gig roster is incredibly extensive in review. But you can certainly find her frequenting Berghain/Panorama Bar. Perhaps you caught her performance alongside Umfang at last year’s Dekmantel. Back on Buffalo turf in 2016 she played to an intimate dancefloor for Strange Allure as the city’s underground scene began its most recent surge. That’s hardly close to scratching the surface of how much she has done and where she’s gone.
But, there was one party specifically that focused and refined even further the vision of love that Ariana has for music. In February 2016 she made her way back to Brazil for Dûsk, a party in celebration of Vênus Ácida [Acid Venus]; a party inspired by the planet poetically known for its myths of feminine energy and creating balance. Visiting the motherland reintroduced her to ancestral power. This reconnection to the idea of home helped her understand more so her own essence of being.
“I always say that my love of dancing comes from being born in Brazil. They just LIVE for it there! I’d say it’s the national pastime. It’s in my body and my soul. But growing up away from there I never knew what it was about me that was Brazilian. Since I knew only my family I had little sense of what Brazilian people were like. I only knew that I always felt somewhat different/alien all while growing up. That I had a fire inside me that wasn’t like others around me,” she says. “Finally in the last three years I’ve been able to spend quality time there as an adult, and so much has clicked into place. My passions, my desires, they all make more sense when I see myself in this frame. I am so so grateful for the friendships I’ve sparked there, the fruits of which have been deeply spiritually nourishing. I always come back from São Paulo feeling 100% more confident and embodied.”
Over time, life’s little details changed. No matter the city or sky she is under. No matter the time of the day. To thousands of people or just a handful. Ariana’s love for music is eternal.
“I love music because it’s an internal journey that can take you around the world. Music has nourished me for my entire life and has been the great driving force of my happiness. As you can see my life has been wrapped around music for as long as I’ve been doing things and I’m just dumbfounded by how far it has all gone. I’m a lifer for sure, come find me in 10-20 years…I’ll be on the dancefloor.”
BUFFALO – Eating & drinking at a gorgeous restaurant with all of your friends for an amazing cause!? Yes, please!
Qween City will be partnering with the Gypsy Parlor this year for the 15th annual Dining out for Life, a citywide event benefiting the incredible Evergreen Health! Gypsy will be generously donating 25% from food sales and 10% from alcohol sales to fight AIDS and HIV in WNY during this one-night-only event in October.
On Tuesday, October 10, any time after 5 p.m. for a delicious meal and a few libations at the Gypsy Parlor, in addition to the chance to win sweet raffle prizes, sample a specialty Qween City cocktail, and listen to the grooves of a few of the city’s most talented up-and-coming DJs. Reservations are strongly encouraged.
Music provided by Bflo Lydia and Leesh.
Have dinner plans already? No problem! Come by after for a nightcap and hang with the girls of Qween City. At 9 p.m. the city’s brood of musicians will join in the festivities for their usual Tuesday open mic party. We will continue to roll with the good times until everyone leaves or they kick us out.
About Evergreen, Gypsy, and QC:
Evergreen Health has been on the front line, fighting HIV/AIDS while providing services to those living with the disease since 1983, and will continue to be there until AIDS is no more. Evergreen strives to foster healthy communities by providing medical, supportive and behavioral services to individuals and families in Western New York challenged by chronic or life threatening diseases.
Gypsy Parlor’s owner Gabrielle Mattina grew up on the West Side of Buffalo just a few blocks away from the Gypsy Parlor. After running restaurants and bars for other people it was time to open her own place. Gabrielle has always been in love with the old immigrant neighborhood. She combined this love for the neighborhood with her passion for mixing drinks and throwing parties. There hasn’t been a bar like this on Grant street in a long time, Gabrielle has fulfilled her dreams and has made her contribution to the resurgence of the West Side by opening Gypsy Parlor- an ecletic, eccentric neighborhood bar where everyone and anyone is welcome!
QweenCity.com is a lifestyle & culture webzine that highlights and celebrates the work and accomplishments of women in Buffalo, New York. We hope this project will grow indefinitely over time, bringing forth the greater picture of the lives of modern-day women in our city. We don’t yet know every single woman that makes this city tick. But we want to.
BUFFALO – Somewhere on Penn Avenue in Pittsburgh and up a long flight of stairs, you will cross over the threshold into a place like no other. It’s late, but you’re just getting started. Both residents of Hot Mass, Tony Fairchild and Naeem are often found behind those decks, working the soundsystem. Not only technically skilled, they are both incredible selectors. All night long on September 30, Buffalo will get a little taste of Hot Mass.
TONY FAIRCHILD —
Owner of is / was Records and resident at Humanaut’s monthly function at Hot Mass.
Naeem is a Pittsburgh-based DJ that currently holds a third Saturday residency at Hot Mass, as a member of the local techno label/crew, Detour.
Tony Fairchild and Naeem
Saturday, September 30
11 pm – 5 am
BUFFALO – Known as the Silent Warrior of the deep and funky sound of dance music, Norm Talley has slowly yet steadily become a staple in the ears of dancefloor addicts in Detroit. Consistency would be an understatement.
Talley shares a history as part of the West 6 Mile Detroit breed that came of age during the last days of Disco, and spent his teen years reveling in the New Age that was the early 1980s.He was an active member in the movement that was Electronic Music in Detroit. Yet, like his current partners, Norm’s roots remain in Soul, Funk, and Disco – rendering his DJ style one of soulful, vocal melodies laced over infectious percussion, and those undeniable bass lines that distinguish the BeatDown Sound from a sea of others – with the occasional Afrobeat rhythm of course. He is also known as the Gospel House guru at home.
The “Detroit Beatdown” series for Third Ear would be Norm’s first major compilation directorial as he and partner, Mike Clark, recruit and filter tracks that fit the BeatDown Sound for this overseas label’s successful project. Since the release of the original volume, Talley has also produced 12” remixes and single tracks for the “Beatdown Sessions” sub-series also on Third Ear, along with fellow re-mixers, Mike Huckaby and Bugz in the Attic.The year 2007 brought about a DJ residency at a Legendary Jazz Club called Floods which hosts a live band on one side an a DJ on the other side in downtown Detroit playing jazzy soulful house!! NICE
Norm plans future projects with Thema recordings,MixMode recordings,Clone,Strictly Beatdown,Fathom.New releases out now on SushiTech,Partier,Third Ear available on vinyl or digital. See, the thing is, the Silent Warrior may have infected a dancefloor near you, and you didn’t even know it was him, because – well, because he’s not really a talker… he’s a maestro.
Norm Talley(Upstairz Asylum) Detroit MI
BUFFALO – Back again for the August installment. The heat isn’t cooling down anytime soon and neither are these beats! This month FINLEY is in the house for his Buffalo NY debut!
The bastard son of SONA. If you don’t know her, educate yourself.
It was an era that FINLEY was brought up in and moulded him into who he is today. “Tech-no” you say? “ Tech- yes” says FINLEY; inspired by marathon sets at the history filled SONA nightclub.
His inspirations led him to the decks in 1998 and over the next few years, he honed his skills while picking up residencies throughout New England underground parties, including the well-known SUNDAY NIGHT MASS in Burlington, VT. Then it was off to school to learn the precious art and science of audio engineering at Full Sail University, where his productions first saw the light of night.
Low Tide provided a platform to release original music and remixes on labels including Dilate Records, Motek, and Inside out alongside artists Dance Spirit, Kosmas, Miguel Puente, Silky, Jonny Cruz, Balcazar & Sordo, and others. With upcoming solo releases on Faceless, Sullivan Room Records, NOSI Music, and endless hours in the studio creating.
His understanding and true love for the scene can be heard throughout his productions and dj sets. Sexy, multi-layered, melodic tunes, mixed with a bit of his techno and R&B roots, make for an incredible journey every time.
FINLEY(Get Physical, Nervous Records, Superfreq) – Boston MA
Rufus Gibson( Mikita Skyy, REDUX, Gourmand Music Recordings)
And as always this is a sucker free zone. Come as you are and who you are because together we’ll be sharing once again another beautiful night on the dance floor. Beats will be on point and all I can say is we’ll see you on the dance floor!
BUFFALO – AL.G (Toronto After Dark)
Al G is a Toronto based Dj specializing in house. He is part of the Toronto After Dark team that organizes events across the city, Which is where he and Cesario began spinning together. From soulful to deep to disco, Al G has a handle on the house genre like few. For upcoming events, visit Toronto After Dark on Facebook.
CESARIO (Toronto After Dark)
Cesario is a Toronto based dj with an eclectic sound ranging from house to techno. He started his roots in hip hop, but soon fell in love with the Toronto underground scene. Frequently playing the Toronto Ater Dark parties, he and Al G quickly learned they had a natural chemistry spinning house together. With an affinity towards the deeper and more upbeat side of House, he is perfectly complemented by the sound of Al G. Catch Cesario at Sound Xchange July 28th b2b with good friend and Buffalo local Chad Lock for the Toronto After Dark Party.
TED HAWKINS ( Camp OG L.A. )
$5 before 11:30 / $8 after
BUFFALO – The old gang is getting back together as Rufus Gibson presents Buffalo native Paul Kuenzi [Denver] and Brandon Chase.
More Info TBA.
He is a hustler. He uses music as his platform to inspire, bring growth and spread knowledge. If you have ever seen him play records you will see among the crowd a solid core of community friends up front and center. Bruce Bailey is a true Detroiter.
Being born and raised in Detroit directly developed his love for music, he says. “After all, from Motown to techno, us ‘Motor Citians’ have some substantial musical roots. Detroit is known for hard working individuals and I guess that really rubbed off on me.” Initially entering the scene as a promoter he decided to delve deeper into mixing records as he became witness to the inexplicable energy created by the music, the DJ, and the crowd.
His story’s trajectory truly demonstrates how versatile, grinding effort and an attitude that won’t quit can help you achieve your dreams. Bailey is a DJ, a promoter, a music lover and a businessman. Through various avenues and vessels he has established himself by taking opportunities as they come and perpetuating progress. He says, “It’s like working on my craft 24 hours a day is normal or something. I wouldn’t be able to stay relevant today without that instilled work ethic.”
It stretches back to his time spent as an undergraduate student at Western Michigan University. Centrally located between Detroit and Chicago, Bailey (with a foundation of music history from his hometown) started to become increasingly more exposed to Chicago house music. He and his friends were playing vinyl and at the time he says “the record purchasing craze was unbelievable.” They were able to tune into house music on numerous radio stations picked up with his roommate’s high frequency antenna. “I remember many a night (sometimes day) we would sit in the dorm room with sounds blasting, writing down what we thought were the names of new music we had never heard. On weekends we would drive down to the Windy City and purchase vinyl or send word to the Detroit buyers to grab some of this new music we’ve heard.”
As he started to become more established within the scene, Bailey and his partner Vern English worked together to found Tandem Entertainment Company. They both had been spinning since college. “We were getting booked individually at a ridiculous clip. One day we collectively decided that we needed to emerge from the underground way of doing business. So, we added eight or so additional DJs, sound techs and personalities to the team to help cover the plethora of events we couldn’t keep up with beforehand. It not only helped us to totally legitimize the steady stream of revenue but also assist us in multiple tax related ways,” he says. “Over the years ‘The Tandem Brand’ has covered a diverse number of events as our DJ services became mandatory from numerous corporate and underground bookings. To this day The Tandem is the most utilized DJ company in Metro Detroit.”
Throughout Detroit he has held residencies in the city’s most reputable spots. Bailey’s first was at Cheeks, a legendary establishment where Jeff Mills’ Wizard persona came to fruition. The spot was also home to moments like the debut of Inner City’s “Good Life”. In 1991 Bailey went on to become head promoter and resident DJ at Club 246 where he stayed for seven years. It was during this time that DJ Minx got her start, Delano Smith got back behind the decks, and the stage saw the likes of so many local favorites like Norm Talley, Moodymann, Al Ester, and Terrence Parker.
“This is arguably the most historic club in Detroit history and the stories from this era are nothing less than amazing. Probably the most memorable was – well let me set the stage first…” he says. “Club 246 was located on the street level of The Madison Hotel in the thick of Downtown Detroit. The night I was given to run was a Thursday. In the early ‘90s you couldn’t get a continuous weekend night to promote house music at any venue downtown, hence the Thursday night sets began. So, I’d say halfway through my seven year run (on a Sunday if I recall properly) I got a call from the owner saying there was a fire in the building. Now keep in mind all the other businesses within the hotel (including the hotel rooms themselves) were defunct except the ordinarily designed Club 246 and it’s adequately sized walkout patio.”
He continues, “So as you’d guess I’m in limbo regarding this situation as Thursdays were definitely the hottest thing going in Detroit at this time, house music wise. The fire department came out and extinguished the fire and it was a mess throughout the building. I knew we’d be closed for some time with a good possibility of never reopening. To my surprise a few days later I got a call saying that we were gonna try and move forward with opening up – I couldn’t believe it. Somehow we opened and it was super successful. Outta the disaster we got an upgraded sound system (so needed) and for maybe a week or two you could smell faint remnants of smoke, but unbelievably not even for one week did it deter the capacity crowds from supporting.”
After Club 246 closed he moved on to a restaurant called Lola’s in 2002. This residency lasted him about five years which he says “catapulted my brand and solidified a switch, as a week later I became the first resident DJ at TV Lounge.” At the time Bailey’s friend, Tree Graves, was the owner. Formerly called Half Past 3 (now frequently called TV Bar) this venue remains one of the strongest Detroit spots. “You see, Half Past 3 was more so the cool spot for the cities jet setters before transforming into the house/techno mega club that it is today. Sport players and dignitaries flooded the venue on Fridays and the Salsa community filled the joint every Saturday.”
The list of residencies and artists that have performed either inside, on the patio or down the alley at TV Bar is innumerable. With a welcoming atmosphere the club’s energy continues strong longevity to this day for locals and visitors alike. Bailey says, “TV Lounge is a family and I’d like to think I did my share of work in elevating it to the worldwide iconic status it receives today.”
There is an undeniable uniqueness to the Detroit hustle. It is grassroots, unrelenting and if you have seen it before you know there is a genuine confidence embodied in the energy. This is why you see (in many Detroit DJs and producers) this particular attitude which makes their presence so special. Especially during the time before technology, there was a limited accessibility in sharing sounds. It took, as Bailey and so many others did, pushing out hundreds of cassette mixtapes. Speaking to people face-to-face and developing real-time connections was the only accessible avenue anyone had to make their name known. In Bailey’s mind it’s how you set yourself apart.
“Here in Detroit you’d never solely make it in the DJ business if you sat back and waited for clients to contact you. If you excelled here in The D, you must be liked, have a solid game plan and also the intellect to overcome obstacles – hell, I always say if it was easy everyone would be doing it (successfully),” he says. When you see Bailey play on home turf it is so apparent that he has developed and maintained relationships throughout the years. Keeping those personal connections alive is a foundation for success is just about anything.
“Certain things you do dictate your character and I believe that represented mine in the best fashion. Of course my original saying had to go on this sign as marketing waits for no one – ‘the brand don’t build itself.’” – BRUCE BAILEY
There is plenty on the horizon for Bailey starting this spring with the release of his latest EP The Detroit Room through Open Bar Music. He says, “This two track release has been simmering for quite a few months. Additional production by Oscar P and Delano Smith make this a sure fire underground hit for the deep house music fan.”
Additionally, you can also look forward to a two-day boutique festival in Detroit during the last weekend of June at TV Lounge. With efforts from Bailey, the venue’s staff, Josh Guerin and Delano Smith, talent is booked and “people can expect the official announcement sometime early May. Collectively we couldn’t be more excited about our first stab at a local festival.”
Within Bailey is a deeply motivated passion to create and build. He blends together his entrepreneurial spirit and his love for music in a way that is tasteful, genuine and inspiring. The name Bruce Bailey, is more than just a name. “Music for me is a collection of emotions. I love it for the way it brings people together and how it unites communities. Without music there would definitely be a void in my life. I look forward to spreading my love of music around more this year as I have road shows in China, New York, Houston, Chicago, Dallas, North Carolina, Los Angeles and Virginia already set for this year. Yup, I love music…”
Catch Bruce Saturday night in Rochester for Signal > Noise.